A Father's Day Bonus: Janet Spots Ink on the Subway

Last month, my friend Janet (whose ink was featured on Tattoosday here) sent me the following photo:

 Janet reports:

"I took this pic in the 1 train, 23rd Street downtown subway station. The guy was *lovely* and looked like a big construction worker. His name is James, and so is his son's, pictured."

I figured this would be a nice father's day bonus.

Two for Tattoosday: Vanessa's Ink (Two Hearts Beat as One)

I met Vanessa last week and she generously shared two of her wonderful tattoos.

This piece on her inner right forearm was her first tattoo:



This design is based on the album cover of Poison the Well's You Come Before You.


Vanessa explained that this was the album she listened to when she was visiting her mother in the hospital. Her mom recovered, and she associates the record with this time of her life. The tattoo celebrates those moments.

The second piece she shared was inspired by her father:


Unlike with her mom, Vanessa does not have a relationship with her dad. The optimistic banner "may we meet again" is a glance forward, toward the possibility of someday reconnecting with him.

This large tattoo, on her right biceps, took eight hours, all in one sitting. The detail of the anatomically-correct heart is amazing. Vanessa pointed out how the artist added flowers to the design, as well as the rays of light in the upper right corner to create the shape of a figurative heart, as well.

Both pieces were created by Anthony Mealie at Tattoo Lou's in Selden, New York.

Work from that shop has appeared previously here.

Thanks again to Vanessa for sharing her wonderful tattoos with us here on Tattoosday!

Who's Better Than Us: Chris Honors His Father

I met Chris in Brooklyn Heights one afternoon and asked him about his ink. He has seven tattoos in all, but offered up this section of his arm:


What seems at first like an odd juxtaposition of figures makes more sense when it is explained.

The piece is a memorial based on a photograph of his father, who had worked as an editor on the original film of Woodstock, as well as the book documenting the process who worked with the team that made Woodstock (Paradigm), developing and experimenting with new film technology which was eventually used in the process of making the movie.

After searching for a while, I emailed Chris and asked if he could send me the photo. He generously obliged:


Seeing the source material on which this piece is based makes it cooler. The photograph appears in the book, and was taken up at Woodstock when the documentary was in production years laterby one of the cinematographers of the Woodstock film, Chuck Levey somewhere in New Jersey.

And the back of the arm features a quote from Chris's dad, a statement he would often make, which seems genuinely appropriate from someone so deeply immersed in the culture of the 1960s:


Chris had his tattoos inked by Nick Caruso at Fly-Rite Studio in Brooklyn. Work from Fly-Rite has appeared previously on Tattoosday here.

Thanks to Chris for sharing his work here on Tattoosday!